The Past is Political: Race, Cultural Landscapes, and the Case for Community-Driven Heritage in Selma and South Africa

dc.contributor.advisorWest, Carrollen_US
dc.contributor.authorGautreau, Abigail Roseen_US
dc.contributor.committeememberGraham, Staceyen_US
dc.contributor.committeememberHoffschwelle, Maryen_US
dc.contributor.committeememberSayward, Amyen_US
dc.contributor.committeememberTesi, Mosesen_US
dc.contributor.departmentHistoryen_US
dc.date.accessioned2015-06-12T19:03:27Z
dc.date.available2015-06-12T19:03:27Z
dc.date.issued2015-08-01en_US
dc.description.abstractThe process of preserving and interpreting cultural heritage is inherently political. Cultural heritage has the power to legitimize the present by grounding it in the physical remnants of the past. This is most obvious when examining the destruction of heritage, whether through casual neglect or deliberate violence. The heritage most often at risk is that which challenges the values and narrative of the dominant culture. The process of preserving cultural heritage requires public historians and heritage professionals to negotiate these competing narratives and ideas, yet these practitioners are themselves influenced by the cultural context in which they live. In the United States, most public historians and preservationists are white in a cultural context that works to render their whiteness both normal and invisible. Public historians and heritage professionals must acknowledge and accept their own personal biases if they are to effectively preserve heritage that reflects the experiences of people of color and marginalized communities.en_US
dc.description.abstractThis dissertation argues that rather than focusing on the outcomes of projects, public historians and heritage professionals ought to prioritize the process of preserving and interpreting heritage, which means creating true partnerships that allow communities to drive the work forward. The role of the professional is temporary in nature, and in order for a project to succeed in the long term (achieve cultural success), the community must be prepared to take over and advocate for the project. Engaging communities requires public historians to cede control, but this process can yield interpretation and material that is rich and rewarding both to scholars and outside audiences.en_US
dc.description.abstractThese challenges are not unique to any particular country, but this dissertation explores them using case studies based on fieldwork in Selma, Alabama and Johannesburg and Cape Town, South Africa. This research examines the challenges of doing heritage in places coping with the legacy and history of a long period of racialization and race-based discrimination.en_US
dc.description.degreePh.D.en_US
dc.identifier.urihttp://jewlscholar.mtsu.edu/handle/mtsu/4454
dc.publisherMiddle Tennessee State Universityen_US
dc.subjectApartheiden_US
dc.subjectCivil rightsen_US
dc.subjectCommunityen_US
dc.subjectCultural heritageen_US
dc.subjectHistoric preservationen_US
dc.subjectPublic historyen_US
dc.subject.umiHistoryen_US
dc.subject.umiSouth African studiesen_US
dc.subject.umiAfrican American studiesen_US
dc.thesis.degreegrantorMiddle Tennessee State Universityen_US
dc.thesis.degreelevelDoctoralen_US
dc.titleThe Past is Political: Race, Cultural Landscapes, and the Case for Community-Driven Heritage in Selma and South Africaen_US
dc.typeDissertationen_US

Files

Original bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
Gautreau_mtsu_0170E_10399.pdf
Size:
75.33 MB
Format:
Adobe Portable Document Format