EXPLORING EASTER EGGS, PARASOCIAL RELATIONSHIPS AND AGENDA SETTING IN THE MARKETING OF TAYLOR SWIFT’S THE TORTURED POETS DEPARTMENT ALBUM

dc.contributor.advisor Blake, Ken
dc.contributor.author Portzen, Roni
dc.contributor.committeemember Eschenfelder, Christine
dc.contributor.committeemember Cruikshank, Sally Ann
dc.date.accessioned 2024-12-16T20:03:03Z
dc.date.available 2024-12-16T20:03:03Z
dc.date.issued 2024
dc.date.updated 2024-12-16T20:03:03Z
dc.description.abstract This thesis applies parasocial relationship theory and agenda-setting theory to an analysis of how American pop music star Taylor Swift utilized Easter egg marketing in promoting her 2024 album The Tortured Poets Department. Based on empirical and qualitative analysis of social media content about the album gathered via the Brandwatch platform, the study found that Swift uses hints and messages – so-called Easter eggs – to communicate with her audience and help build a sense of community among her most devoted fans, known as "Swifties." Results found indicators of parasocial relationship formation among Swift’s fans, but no substantial evidence of a connection between Easter eggs and the formation of such relationships. Rather, Swift’s Easter eggs tend to attract media coverage and boost publicity through a classic agenda-setting process.
dc.description.degree M.S.
dc.identifier.uri https://jewlscholar.mtsu.edu/handle/mtsu/7556
dc.language.rfc3066 en
dc.publisher Middle Tennessee State University
dc.source.uri http://dissertations.umi.com/mtsu:11938
dc.subject Agenda Setting
dc.subject Easter Eggs
dc.subject Marketing
dc.subject Parasocial Relationship
dc.subject Taylor Swift
dc.subject The Tortured Poets Department
dc.subject Mass communication
dc.thesis.degreelevel masters
dc.title EXPLORING EASTER EGGS, PARASOCIAL RELATIONSHIPS AND AGENDA SETTING IN THE MARKETING OF TAYLOR SWIFT’S THE TORTURED POETS DEPARTMENT ALBUM
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