Hybrid Theory: A Study of Hybrid Rudiments through Classical Musical Form

dc.contributor.authorGardner, Maxwell
dc.date.accessioned2021-08-09T10:21:21Z
dc.date.available2021-08-09T10:21:21Z
dc.date.issued2021-04-28
dc.description.abstractI composed ten works for solo snare drum which consisted of nine hybrid rudiments and five types of classical musical form. I spent the Spring of 2020 working with Professor Russell Wharton, my assigned private lessons teacher, on the first three compositions, and finished the remaining seven under Julie Davila during the Spring of 2021. During the composition process, I sent the drafts to my peers and played the pieces for Professor Davila to make sure they were coherent, as well as appropriate, for the intended audience. After the completion of this project, I intend to publish this work with Row-Loff Productions.en_US
dc.identifier.urihttps://jewlscholar.mtsu.edu/handle/mtsu/6501
dc.language.isoen_USen_US
dc.publisherUniversity Honors College Middle Tennessee State Universityen_US
dc.subjectCollege of Liberal Artsen_US
dc.subjectMusicen_US
dc.subjectRudimental Snare Drumen_US
dc.subjectPercussionen_US
dc.subjectClassical Musicen_US
dc.subjectMusical Formen_US
dc.subjectMusical Theoryen_US
dc.titleHybrid Theory: A Study of Hybrid Rudiments through Classical Musical Formen_US
dc.typeThesisen_US

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