We Love to See It: Diversity in Romantic Comedies

dc.contributor.authorGriffin, Micaela
dc.date.accessioned2020-12-21T17:14:12Z
dc.date.available2020-12-21T17:14:12Z
dc.date.issued2020-12-02
dc.description.abstractIn considering the levels of representation in the casting, ethnicity of the characters, and the common stereotypes employed in the narrative, this thesis analyzes how diversity is presented in romantic comedies through a textual analysis of the following six films: 27 Dresses (2008), The Proposal (2009), Hitch (2005), Maid in Manhattan (2002), My Big Fat Greek Wedding (2002), and Crazy Rich Asians (2018). The romantic comedy genre has changed over time but remained a favorite across the industry. Studies show that they have a diverse audience made up of members for various racial and ethnical groups. The Hollywood Industry producing these films, however, is not nearly as diverse. The six film will show the industry as it is while acknowledging what could and should be done to make improvements. This thesis shows that Hollywood should seek to improve the diversity of romantic comedies because the audiences are in dire need of proportional representation.en_US
dc.identifier.urihttps://jewlscholar.mtsu.edu/handle/mtsu/6350
dc.language.isoen_USen_US
dc.publisherUniversity Honors College Middle Tennessee State Universityen_US
dc.subjectCollege of Media and Entertainmenten_US
dc.subjectromantic comediesen_US
dc.subjectfilmen_US
dc.subjectdiversityen_US
dc.subjecttextual analysisen_US
dc.subjectmovieen_US
dc.subjectethnicityen_US
dc.subjectraceen_US
dc.subjecthollywooden_US
dc.subjectstereotypeen_US
dc.subjectcastingen_US
dc.titleWe Love to See It: Diversity in Romantic Comediesen_US
dc.typeThesisen_US

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