We Love to See It: Diversity in Romantic Comedies

dc.contributor.author Griffin, Micaela
dc.date.accessioned 2020-12-21T17:14:12Z
dc.date.available 2020-12-21T17:14:12Z
dc.date.issued 2020-12-02
dc.description.abstract In considering the levels of representation in the casting, ethnicity of the characters, and the common stereotypes employed in the narrative, this thesis analyzes how diversity is presented in romantic comedies through a textual analysis of the following six films: 27 Dresses (2008), The Proposal (2009), Hitch (2005), Maid in Manhattan (2002), My Big Fat Greek Wedding (2002), and Crazy Rich Asians (2018). The romantic comedy genre has changed over time but remained a favorite across the industry. Studies show that they have a diverse audience made up of members for various racial and ethnical groups. The Hollywood Industry producing these films, however, is not nearly as diverse. The six film will show the industry as it is while acknowledging what could and should be done to make improvements. This thesis shows that Hollywood should seek to improve the diversity of romantic comedies because the audiences are in dire need of proportional representation. en_US
dc.identifier.uri https://jewlscholar.mtsu.edu/handle/mtsu/6350
dc.language.iso en_US en_US
dc.publisher University Honors College Middle Tennessee State University en_US
dc.subject College of Media and Entertainment en_US
dc.subject romantic comedies en_US
dc.subject film en_US
dc.subject diversity en_US
dc.subject textual analysis en_US
dc.subject movie en_US
dc.subject ethnicity en_US
dc.subject race en_US
dc.subject hollywood en_US
dc.subject stereotype en_US
dc.subject casting en_US
dc.title We Love to See It: Diversity in Romantic Comedies en_US
dc.type Thesis en_US
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