Making Western Swing: An Analysis and Reproduction of 1930’s and 40’s Production Techniques

dc.contributor.author Gustafson, John
dc.date.accessioned 2021-08-09T11:57:12Z
dc.date.available 2021-08-09T11:57:12Z
dc.date.issued 2021-04-24
dc.description.abstract The intent of this creative project is to explore the production techniques of the 1930’s and 40’s, primarily through the lens of Western Swing music. In the written portion, I explore the impact that the era, its history, and its technology had on the musical production being implemented at the time, as well as how the genre itself influenced the production approach taken during the recording process. The creative portion includes two complete recordings of a classic Western Swing tune, both of which I oversaw as the musical producer. The former consists of my truest attempt at producing a Western Swing track as it would have been done in the 1930’s. The latter consists of producing the same song with all the resources and techniques available to a modern producer utilizing the same set of musicians. Lastly, I’ve included a reflection on the pros and cons of each era’s approach. en_US
dc.identifier.uri https://jewlscholar.mtsu.edu/handle/mtsu/6504
dc.language.iso en_US en_US
dc.publisher University Honors College Middle Tennessee State University en_US
dc.subject College of Media and Entertainment en_US
dc.subject Western swing en_US
dc.subject Country Music en_US
dc.subject Music Production en_US
dc.subject Music Producer en_US
dc.subject Record Producer en_US
dc.subject Producer en_US
dc.subject Audio Engineering en_US
dc.subject Bob Wills en_US
dc.subject Recording en_US
dc.subject Recording Technology en_US
dc.subject Production Technique en_US
dc.title Making Western Swing: An Analysis and Reproduction of 1930’s and 40’s Production Techniques en_US
dc.type Thesis en_US
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